Questions of Practice
Unsettling the Score: Experiments in Notation, Part I
Questions of Practice
Culture Shock on the Stage: Pig Iron's Alex Torra on Performing Zero Cost House in Japan
Questions of Practice
Every Copy an Original: William Forsythe on Restaging His Ballets
Questions of Practice
Unsettling the Score: Experiments in Notation, Part II
Questions of Practice
Prototype for a Re-installation: Imagine Africa @ Penn Museum
Questions of Practice
Re-Substantiating the Dance: William Forsythe's Synchronous Objects
Questions of Practice
Paula Vogel on A Civil War Christmas and Interpreting History for the Stage
Questions of Practice
Jan Ramirez on the National September 11 Memorial & Museum
Questions of Practice
Jenny Sabin's Greenhouse at the American Philosophical Society
Questions of Practice
Gray Area: Provocations on the Future of Preservation
Questions of Practice
Merian Soto on Site, Improvisation, and Embodiment in SoMoS
Questions of Practice
Suli Holum and David Bradley on Food Court and Disability in Performance
Questions of Practice
Bill T. Jones & Susan Rethorst: A Conversation in Five Parts
Questions of Practice
Electronic Music 2012
Questions of Practice
Rabbit Suits & Revolutions: Dito van Reigersberg on Pig Iron's Zero Cost House
Questions of Practice
Changing Expectations: An Interview with Andrea Clearfield
Questions of Practice
Talking with Data Garden: Co-Composing with Plants
Questions of Practice
Questions of Practice: Curator Helen Molesworth on Authorship
Questions of Practice
Questions of Practice: Curator Paul Schimmel on Curating and Theater
Questions of Practice
The Curator and the Historian: Helen Molesworth and Paul Schimmel
Questions of Practice
On the Making of JG
Questions of Practice